Star Wars: Episode III working title--[backflip-with-a-double-twist-corkscrew-triple-aerial-180-fakey]Yeah I know, Star Wars: Episode II has just been released nationwide, and no, I haven't seen it yet. So why am I bringing up Episode III? Well, let me explain.
Now, Jonathan Last over at The Weekly Standard has written a provocative article (if you are a Star Wars fan, that is) saying basically that the Empire is better than the Galactic Republic. He supports this thesis using economic and political theory, and realpolitik analysis. Instapundit picked up on the story and predicted that Last will receive some flak for his thesis. No need to wait, however--there's already been ample disagreement. Two blog critics should suffice as examples.
Over at Flit, Bruce R. posted his criticism even before Instapundit found the Last piece. Bruce laments that Last prefers an Empire "that you can do business with" just because it enforces galactic law and order and planetary stability, and he calls him on his facile acceptance/lenience on Empire-backed genocide. Bruce then serves up his pièce de résistance
"This is, I have stated before, the biggest problem with western foreign policy post-Cold War... the obsession with regional and global stability, a world 'you can do business with', over and above whatever desires the populations might have to be democratic, or free, or immune from Last's chosen weapon, fear. It keeps the U.S. from doing something about Saudi Arabia... it has so far kept it from doing anything about Iraq... it hinders any moral policy with regard to Taiwan... the list goes on."
Now, I thought Last's argument amusing, but I don't recall enough of the original trilogy (I was only a little kid when I last saw it) to comment profoundly on his analysis. I did see The Phantom Menace when it came out, though, and it was an okay flick--it coulda been better--so I definitely sympathize with Last's annoyance with the Republic. The Flit blogger gets it right, though, in that stability is not the end we should be focusing on; when stability is merely the product of an effective anti-democratic regime, that regime's stability is, at best, a barely tolerable evil.
Meanwhile, Gena Lewis from Spinsters bashes Last for not having the ethical fortitude to realize how bad the Empire really was, and what Lucas meant it to represent: the Evil Empire (Soviet Union). Gena leaves us a lengthy post and makes a number of interesting comments, including this:
"The original Star Wars is a great movie, but it is the greatest movie about the Cold War. The Empire is not just a metaphor for the Soviet Union; it is a metaphor for how the United States saw the Soviet Union. The Empire is a cold, mechanized, highly organized totalitarian regime where human life and freedom matter far less than order and control. Pitted against the Empire is a band of freedom loving rebels who value democracy in a galaxy where if you want freedom you have to fight for it. This - for the Jonathan Lasts of the world who didn't get it or failed to remember - is us. During the Cold War, Americans- the ones out fighting communism, at least - saw themselves as independent, roughish, vastly out gunned, but willing to fight and triumph against a monolithic and vastly superior foe. This is what the movie so brilliantly captures, and why it becomes a movie, and then a set of movies about seeing - how we saw them, and how we saw us, and also how we saw history. Star Wars is a battle movie, and we are fighting the Empire/ Soviet Union, only the Empire/ Soviet Union isn't really the Empire/ Soviet Union or rather it is the Empire/ Soviet Union, but it is also at the same time a further recasting of something else. The Empire/ Soviet Union is Nazi Germany. The Allies defeated the Nazis, but the US went on fighting them, but did so by transforming the Soviet Union into the Nazis. Communism and Nazism became the same thing, the Soviet Union a proxy for Germany, the Cold War a proxy for World War II. Thus, the Empire is the Soviet Union, but the soldiers of the Empire are storm troopers."
Now, we're getting closer to the point I want to make, but hold up--we're not quite there yet. Gena also says that
"'The Phantom Menace' isn't a Star Wars movie for the same reason it bombed: It didn't have a mythic structure, and it didn't have a mythic structure, because Lucas didn't understand the Post Cold War world. Who are we after the fall of the Soviet Union? Lucas didn't have a clue, and he made a meaningless movie as a result."
But, Episode II succeeds because
"'Who are we' is a resonant question, and it is the question of the new Star Wars. Lucas saw something between the Phantom Menace and the Attack of the Clones and what he saw was the danger and particularity of our time. If the original movies were about seeing, the new movie is about identity and becoming, specifically about who we are and how we become them. The world of the new movie is one where democracy doesn't equal freedom but rather insecurity, bureaucracy and inefficiency. It's a world of gridlock and corruption where nothing seems to get done...."
Now, the sum of all this seems to be that the Star Wars movies together are a Lucas-conjured meta-myth that is designed to reflect our current times in terms of geopolitics and who knows what else. (Hey, that's what good art, music, and film is all about--you dig out your own interpretations and hidden meanings. What I vaguely remembered from my Star Wars experience many eons ago was all that stuff about "the Force", which obviously carried some quasi-New Age eastern philosophy intonations; so what I remember is oodles and oodles of religious symbolism, whereas Last, Bruce, and Gena see lots of political symbolism. But let me get off my boat for a second and climb aboard theirs.)
Okay, so Gena says the original trilogy (Episodes IV, V, and VI) represent the Cold War era and WWII. Her argument that the Empire is both Nazi Germany and the USSR is a tad confusing, so maybe it'd be better to say that the original Star Wars trilogy reflected a Hegelian or dialectic Clash of Ideologies (hehe, I think some of you are now beginning to catch on to where I am going with this). The 1990s, however, shows us that the democracy has won out and history has ended because democracy has triumphed over communism, fascism, and every other ideology that heretofore has sprung up to resist it (according to Francis Fukuyama). So, after history ends, then what? Well, George Lucas didn't have the answer to that question, except for to take advantage of peace and stability and make lots of money by extending his biggest cinematic moneymaker into the realm of prequels--and so we have (says Gena) the meaningless Phantom Menace. But Lucas, after some down-time contemplating his navel, has discovered the relevant question now is, Who Are We? It's not about ideology anymore; it's about identity, ethnicity, culture, civilization--and the interplay and clashes between them at the individual, local, global, and universal (galactic) levels (says Samuel Huntington--but not the universal/galactic part). Lucas, Gena argues, responds brilliantly to this in Attack of the Clones.
So I ask, what will he do for Episode III? Remember, these movies (Menace, Clones) are prequels that are supposed to develop a plot that leads into the themes of the original Star Wars trilogy, the storylines of which occur after the more recently-produced prequels. So, Episode III will have to accomplish quite a feat; it must take us from a post-Cold War reality concerned with Who Are We to a pre-post-Cold War reality based on the premise of What Ideology Do We Accept. This should be quite the time-traveling Back-to-the-Future-esque Gordian knot for Lucas and the gang to unravel.
Consider for a moment the difficulty of this purely on the philosophical grounds. Especially since 9/11 changes everything. History, one might tell Fukuyama, appears to have been jump-started with the battle between Islamo-fascism and Western liberalism. And this strange brew of Fukuyama-Huntington reality is newly complex enough as it is; Lucas, it seems, will have to jump-start history backwards for the Star Wars movie to all tie in rationally together.
So, here's my prediction: Episode III will either be a huge dud, a giant flop, a frivolous sleeper, and a laughable attempt to reconcile these issues all concealed by 12-year-old-wowing special effects; OR, Episode III will be a magnificent crescendo of Star Wars myth, a cinematic masterpiece that combines profundity with cutting edge techno-wizardry, and an intellectually deep film brimming with insights into our postmodern situation and other subtle meanings and intimations that will require repeated viewings a la The Matrix to digest.
By the way, I'm not betting on the latter.